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Niels Wehrspann

Graphic design, typography, webdesign

+41 76 396 59 19

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Art

Nicolas Trembley: My Craft

Cover of the booklet ‘Nicolas Trembley, My Craft’. Photo from the Mingei Asia Now exhibition. Graphic design: Niels Wehrspann — Nicolas Trembley, My Craft Entretien avec Véronique Bacchetta, booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication. Cover image: Mingei Asia Now, Monnaie de Paris, 2022, exhibition view. Photo : Romain Darnaud.

Spread of the booklet ‘Nicolas Trembley, My Craft’ — Nicolas Trembley, My Craft Entretien avec Véronique Bacchetta, booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication. Cover image: Mingei Asia Now, Monnaie de Paris, 2022, exhibition view. Photo : Romain Darnaud.

↔ 172 ㎜ ↕ 235 ㎜ 🗐 40 ◼ Offset 🇫

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Sabrina Fernandez Casas

Plant engravings on the poster for Sabrina Fernandez Casas's exhibition at La Ferme de la Chapelle. Design: Niels Wehrspann — Poster for the exhibition by Sabrina Fernández Casas ︎ at the Ferme de la Chapelle ↗ (Lancy/Geneva). An assemblage of the artist’s plant engravings. In collaboration with Aurora Bytyqi (intern).

Plant engravings on the flyer for Sabrina Fernandez Casas's exhibition at La Ferme de la Chapelle. Design: Niels Wehrspann — Poster for the exhibition by Sabrina Fernández Casas ︎ at the Ferme de la Chapelle ↗ (Lancy/Geneva). An assemblage of the artist’s plant engravings. In collaboration with Aurora Bytyqi (intern).

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ Screenprint ʧ Colophon ↗︎ Sunset Gothic

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Journal of Bureaucracy Studies #3

Cover of Journal of Bureaucracy Studies issue 3. Design, typography and layout by Niels Wehrspann — Cover of the third issue of the Journal of Bureaucracy Studies ↗︎, a bilingual journal about art (and other things) written in easy-to-read (German-English version). Image: Sung Tieu’s sculpture “Galleried”.

Spread of Journal of Bureaucracy Studies issue 3. Design, typography and layout by Niels Wehrspann — Cover of the third issue of the Journal of Bureaucracy Studies ↗︎, a bilingual journal about art (and other things) written in easy-to-read (German-English version). Image: Sung Tieu’s sculpture “Galleried”.

↔ 235 ㎜ ↕ 338 ㎜ 🗐 16 ◼ ◼ ◼ ◼ Offset 🇫 🇬 🇩 🇹 ʧ (Empirical) adaptation for easy reading of an open source typeface, with post-binary ligatures (in French)

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Valentin Merle & Viola Poli

Painted circles and kombucha on a poster. Concept and graphics: Niels Wehrspann — Poster for Valentin Merle and Viola Poli’s exhibition at Ferme de la Chapelle ↗ (Lancy/Geneva). Superimposition of two interventions directly on the films.

Printing and creation process of a poster — Poster for Valentin Merle and Viola Poli’s exhibition at Ferme de la Chapelle ↗ (Lancy/Geneva). Superimposition of two interventions directly on the films.

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ Screenprint ʧ Studio Feixen ↗︎ Ease Geometric

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Coexistences liquides

Superimposed paint and kombucha on an exhibition invitation. Graphic design: Niels Wehrspann — Invitation for Valentin Merle and Viola Poli’s exhibition at Ferme de la Chapelle ↗ (Lancy/Geneva). Superimposing a painting and kombucha culture

Layout on the back of the exhibition invitation by Valentin Merle and Viola Poli. Graphic design: Niels Wehrspann — Invitation for Valentin Merle and Viola Poli’s exhibition at Ferme de la Chapelle ↗ (Lancy/Geneva). Superimposing a painting and kombucha culture

↔ 105 ㎜ ↕ 150 ㎜ ◼ ◼ Offset

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Agnès Ferla

Poster featuring a photo of a performance by Charlotte Krieger designed by Niels Wehrspann — Poster for an exhibition by Agnès Ferla ↗ at Ferme de la Chapelle ↗ (Lancy/Geneva). Photo: Charlotte Krieger

View of the poster for Agnès Ferla's exhibition — Poster for an exhibition by Agnès Ferla ↗ at Ferme de la Chapelle ↗ (Lancy/Geneva). Photo: Charlotte Krieger

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ ◼ Screenprint ʧ TypeType ↗︎ Alientz

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Agnès Ferla (animation)

↔ 1920 ⒳ ↕ 1080 ⒳ ⏱ 7 ⒮ ʧ TypeType ↗︎ Alientz

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Journal of Bureaucracy Studies #2

Journal of Bureaucracy Studies issue 2 cover. Design, typography and layout by Niels Wehrspann — Cover of the second issue of the Journal of Bureaucracy Studies ↗︎, a bilingual journal about art (and other things) written in easy-to-read (French-English version). Image: a collective painting (photo: Eric Bell).

Spread of Journal of Bureaucracy Studies issue 2. Design, typography and layout by Niels Wehrspann — Cover of the second issue of the Journal of Bureaucracy Studies ↗︎, a bilingual journal about art (and other things) written in easy-to-read (French-English version). Image: a collective painting (photo: Eric Bell).

↔ 235 ㎜ ↕ 338 ㎜ 🗐 16 ◼ ◼ ◼ ◼ Offset ‡ Stitched 🇫 🇬 🇩 ʧ Custom (and empirical) easy-to-read adaptation of an open source typeface, with post-binary ligatures (in French)

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Aurélien Martin

Illustration by Lucas Junod Bustillo on the flyer for Aurélien Martin's exhibition at La Ferme de la Chapelle. Graphic design: Niels Wehrspann — Invitation card for Aurélien Martin’s ↗︎ exhibition at Ferme de la Chapelle ↗ (Lancy/Geneva). Illustration by Lucas Junod Bustillo

Back of the invitation to Aurélien Martin's exhibition at La Ferme de la Chapelle. Graphic design: Niels Wehrspann — Invitation card for Aurélien Martin’s ↗︎ exhibition at Ferme de la Chapelle ↗ (Lancy/Geneva). Illustration by Lucas Junod Bustillo

↔ 105 ㎜ ↕ 150 ㎜ ◼ Offset 🇫 ʧ Grilli Type ↗︎ Planar

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Prompt & process

Letter A drawn during a workshop — Results of a workshop held at the Têtard ↗︎ art school in Lausanne. The students were asked to come up with fun instructions for drawing letters using whatever means they could find. A third layer is the result of a prompt in Midjourney.

Letter C drawn during a workshop — Results of a workshop held at the Têtard ↗︎ art school in Lausanne. The students were asked to come up with fun instructions for drawing letters using whatever means they could find. A third layer is the result of a prompt in Midjourney.

↔ 210 ㎜ ↕ 297 ㎜ Digital

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Les Ruisseaux aériens (animation)

↔ 1080 ⒳ ↕ 1350 ⒳ ⏱ 7 ⒮ ʧ Extraset ↗︎ Rebond Grotesque (altérée)

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Les Ruisseaux aériens

Poster for the group show *Les Ruisseaux aériens" at Ferme de la Chapelle. Design: Niels Wehrspann — Poster for a group show at Ferme de la Chapelle ↗ (Lancy/Geneva), initiated by Caroline Tschumi ↗︎.

Printing detail of the poster for the group show *Les Ruisseaux aériens" at Ferme de la Chapelle. Design: Niels Wehrspann — Poster for a group show at Ferme de la Chapelle ↗ (Lancy/Geneva), initiated by Caroline Tschumi ↗︎.

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ Screenprint ʧ Extraset ↗︎ Rebond Grotesque (altered)

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Elisa Larvego, En tous lieux (animation)

↔ 1080 ⒳ ↕ 1080 ⒳ ⏱ 22 ⒮

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Elisa Larvego, En tous lieux

A photo by Elisa Larvego on the invitation card to her exhibition at Ferme de la Chapelle. Graphic design: Niels Wehrspann — Invitation card for Elisa Larvego ︎‘s exhibition at Ferme de la Chapelle ↗ (Lancy/Geneva). Photo: “Bouba & Ibrahim on the terrace of the Refuge solidaire, Briançon”, 2019

Back of the invitation card to the exhibition by Elisa Larvego at Ferme de la Chapelle. Layout: Niels Wehrspann — Invitation card for Elisa Larvego ︎‘s exhibition at Ferme de la Chapelle ↗ (Lancy/Geneva). Photo: “Bouba & Ibrahim on the terrace of the Refuge solidaire, Briançon”, 2019

↔ 150 ㎜ ↕ 210 ㎜ ◼ ◼ ◼ ◼ Offset ʧ Displaay ↗︎ Azeret SemiMono

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Patricio Gil Flood, El Dorado (animation)

⏱ 5 ⒮ ʧ Poem Editions ↗︎ Almost Gothic

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Yann Chateigné Tytelman, Blackout

Collage on the cover of Yann Chateigné Tytelman’s book “Blackout”. Design: Niels Wehrspann — Yann Chateigné Tytelman, Blackout, booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication. Cover image: Blackout, 2021, collage by Adélie Moye for Ø, a publishing project by Samuel Ténot, Adler Murada, Adélie Moye and Yann Chateigné Tytelman, École de recherche graphique (erg), Brussels

Spread of Yann Chateigné Tytelman’s book “Blackout”. Design: Niels Wehrspann — Yann Chateigné Tytelman, Blackout, booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication. Cover image: Blackout, 2021, collage by Adélie Moye for Ø, a publishing project by Samuel Ténot, Adler Murada, Adélie Moye and Yann Chateigné Tytelman, École de recherche graphique (erg), Brussels

↔ 172 ㎜ ↕ 235 ㎜ 🗐 40 ◼ ◼ ◼ ◼ Offset 🇫

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Patricio Gil Flood, El Dorado

Poster for the exhibition by Patricio Gil Flood at the Ferme de la Chapelle. Graphic design: Niels Wehrspann — Poster for the exhibition by Patricio Gil Flood ↗︎ at the Ferme de la Chapelle ↗ (Lancy/Geneva). Foldings of old magazines by the artist.

Invitation to the exhibition by Patricio Gil Flood at the Ferme de la Chapelle. Graphic design: Niels Wehrspann — Poster for the exhibition by Patricio Gil Flood ↗︎ at the Ferme de la Chapelle ↗ (Lancy/Geneva). Foldings of old magazines by the artist.

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ Screenprint ʧ Poem Editions ↗︎ Almost Gothic

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Synthèse d’une nature

Poster of Sylvie Lambert's exhibition — Poster for Sylvie Lambert’s ↗︎ exhibition at Ferme de la Chapelle ↗. Detail of the artist’s painting “Chalet nº 5” (2022)

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ ◼ Screenprint ʧ Grilli Type ↗︎ Alpina

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Paul Bernard, Debord Curator

Cover of the booklet by Paul Bernard — Paul Bernard, “«Guy Would Never Have Done That.» Debord Curator”, booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication. Essay about the relationships between the Situationists and the Contemporary art milieu.

First page of Paul Bernard's booklet — Paul Bernard, “«Guy Would Never Have Done That.» Debord Curator”, booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication. Essay about the relationships between the Situationists and the Contemporary art milieu.

↔ 172 ㎜ ↕ 235 ㎜ 🗐 40 ◼ ◼ Offset ‡ Stitched 🇫 🇬

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Appendices

↔ 1080 ⒳ ↕ 1080 ⒳ ⏱ 8 ⒮ 🇫 ʧ CoFo ↗︎ Peshka

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Bureaucracy Studies journal 1

Cover of Journal of Bureaucracy Studies issue 1 — Cover of the first issue of the Journal of Bureaucracy Studies ↗︎, a bilingual art journal written in easy-to-read. Image: “When the Bats Fly”, performance by Sunny Pfalzer (photo: Edward Onsoh).

Photo of a performance by craziness artisT in the Journal of Bureaucracy Studies issue 1 — Cover of the first issue of the Journal of Bureaucracy Studies ↗︎, a bilingual art journal written in easy-to-read. Image: “When the Bats Fly”, performance by Sunny Pfalzer (photo: Edward Onsoh).

↔ 235 ㎜ ↕ 338 ㎜ 🗐 16 ◼ ◼ ◼ ◼ Offset ‡ Stitched 🇫 🇬 ʧ Custom typeface made with the purpose of facilitating reading

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Nicolas Varidel

Visual identity for landscaper Nicolas Varidel — Lettering and visual identity for the landscaper Nicolas Varidel ↗︎. Compliments card. Image: artwork by artist Abigail Janjic ↗︎.

↔ 210 ㎜ ↕ 122 ㎜ ◼ ◼ ◼ ◼ ◼ Offset ʧ Extraset ↗︎ Rebond Grotesque

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Adrien Chevalley, Appendices

Poster for the Adrien Chevalley's exhibition — Poster for Adrien Chevalley’s ↗︎ exhibition at Ferme de la Chapelle ↗. Inspired by the artist’s clay sculptures.

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ Screenprint ʧ CoFo ↗︎ Peshka

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Open House

Open House catalogue cover — Open House catalog. The book is the exhibition catalogue of the open-air exhibition and a collection of theoretical essays on housing. Published ny Scheidegger & Spiess ↗︎.

first page of the Open House catalog — Open House catalog. The book is the exhibition catalogue of the open-air exhibition and a collection of theoretical essays on housing. Published ny Scheidegger & Spiess ↗︎.

↔ 167 ㎜ ↕ 229 ㎜ 🗐 336 ◼ ◼ ◼ ◼ Offset ‡ Sewn 🇫 🇬 ʧ Zeta Fonts ↗︎ Stinger and The Pyte Foundry ↗︎ Triptych

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Open House

Poster for the Open House exhibition — Poster for the open air exhibition Open House. Background image: “A home is not a Hole” by Didier Fiúza Faustino ↗, photographed by Francisco Nogueira ↗.

Poster for the open air exhibition Open House. Background image: “A home is not a Hole” by Didier Fiúza Faustino ↗, photographed by Francisco Nogueira ↗.

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ ◼ Offset ʧ Zeta Fonts ↗︎ Stinger

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Petrichor

↔ 1920 ⒳ ↕ 1080 ⒳ ⏱ 8 ⒮ ʧ Grilli Type ↗︎ Alpina

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Blueberry Studies

Cover of the booklet by Giulia Essyad — Giulia Essyad, “Blueberry Studies”, booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication. Collages and altered self-portraits.

Spread of the booklet by Giulia Essyad — Giulia Essyad, “Blueberry Studies”, booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication. Collages and altered self-portraits.

↔ 172 ㎜ ↕ 235 ㎜ 🗐 32 ◼ ◼ Offset ‡ Stitched

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Mothership

Drawing by Caroline Tschumi on the invitation to her exhibition — Invitation to Caroline Tschumi’s exhibition at Ferme de la Chapelle ↗. Drawing by the artist.

Back of the invitation for Caroline Tschumi's exhibition — Invitation to Caroline Tschumi’s exhibition at Ferme de la Chapelle ↗. Drawing by the artist.

↔ 150 ㎜ ↕ 210 ㎜ ◼ ◼ ◼ ◼ Offset ʧ Kilotype ↗︎ Queens Compressed

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Shali

Booklet of Laurence Bonvin's photographs — Laurence Bonvin ↗, شالي (Shali), booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication. Series of photographs of the Shali fortress, located in the centre of the Siwa oasis in Egypt.

Spread of Laurence Bonvin photography booklet Shali — Laurence Bonvin ↗, شالي (Shali), booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication. Series of photographs of the Shali fortress, located in the centre of the Siwa oasis in Egypt.

↔ 172 ㎜ ↕ 235 ㎜ 🗐 36 ◼ ◼ Offset 🇫

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Aurélie Menaldo

Poster for Aurélie Menaldo's exhibition at Ferme de la Chapelle — Poster for the exhibition by Aurélie Menaldo ↗ at Ferme de la Chapelle ↗. Silhouettes from some of her works. In collaboration with Tamara Mottet (intern).

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ ◼ Screenprint ʧ Glen Jan ↗︎ Leto Text Sans Defect

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Art
Poster

Still Life/Les Feuilles mortes

A painting of a leave on the cover of David Hominal's publication — David Hominal, «Still Life/Les Feuilles mortes», booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication. Image: Feuilles mortes 1, 45×60 cm, oil on canvas, 2020.

A small painting by David Hominal — David Hominal, «Still Life/Les Feuilles mortes», booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication. Image: Feuilles mortes 1, 45×60 cm, oil on canvas, 2020.

↔ 172 ㎜ ↕ 235 ㎜ 🗐 32 ◼ ◼ ◼ ◼ ◼ Offset ‡ Stitched 🇫

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Raphaëlle Mueller

↔ 1920 ⒳ ↕ 1080 ⒳ ⏱ 16 ⒮ 🇬 ʧ Times New Roman and Dinamo ↗︎ Whyte Inktrap Semi-Mono

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God Subject Meaning Money Phallus

Screenprint traces on a poster — Poster for the exhibition by Raphaelle Mueller ↗ at Ferme de la Chapelle ↗. First, the background was printed in black. Then, the yellow traces were painted with a brush and the red ones printed by manually after dripping ink on the frame, thus making each poster unique. Finally, the infos were printed with white ink. In collaboration with Tamara Mottet (intern).

Screenprint detail — Poster for the exhibition by Raphaelle Mueller ↗ at Ferme de la Chapelle ↗. First, the background was printed in black. Then, the yellow traces were painted with a brush and the red ones printed by manually after dripping ink on the frame, thus making each poster unique. Finally, the infos were printed with white ink. In collaboration with Tamara Mottet (intern).

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ ◼ Screenprint ʧ Times New Roman et D i namo ↗︎ Whyte Inktrap Semi-Mono

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Mend the Gender Gap

↔ 1920 ⒳ ↕ 1080 ⒳ ⏱ 5 ⒮ ʧ Roba by Franziska Weitgruber (Future Fonts ↗︎)

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Sie spricht nicht

Poster with a sculpture — Poster for the exhibition by Simone Holliger ↗ at Ferme de la Chapelle ↗. Photograph of one of the artist’s sculptures.

Screenprint detail — Poster for the exhibition by Simone Holliger ↗ at Ferme de la Chapelle ↗. Photograph of one of the artist’s sculptures.

↔ 150 ㎜ ↕ 210 ㎜ ◼ ◼ Screenprint 🇫 🇩 ʧ Poem Editions ↗︎ Almost Gothic

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Esprit es-tu là?

Cover of the publication Paul Viaccoz, Esprit es-tu là? — Paul Viaccoz, «Esprit es-tu là?», booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication.

Spread of the publication Paul Viaccoz, Esprit es-tu là? — Paul Viaccoz, «Esprit es-tu là?», booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication.

↔ 172 ㎜ ↕ 235 ㎜ 🗐 36 ◼ Offset ‡ Stitched 🇫

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Dandelion

Invitation with a photography of a cloth in the background — Invitation for the exhibition by Camille Buhler ↗ and Flora Mottini ↗ at Ferme de la Chapelle ↗. The background is a photography of a cloth provided by the artists. In collaboration with Coraline Beyeler (intern).

Invitation for the exhibition by Camille Buhler ↗ and Flora Mottini ↗ at Ferme de la Chapelle ↗. The background is a photography of a cloth provided by the artists. In collaboration with Coraline Beyeler (intern).

◼ ◼ ◼ ◼ Offset ʧ Kaftan serif by Victor Bartis ↗︎ and Velvetyne Sporting Grotesque ↗︎

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Open House I: Process

Cover of the first Open House booklet — Booklet with essais about architecture and design published on the occasion of the first installment of the open air exhibition Open House (Genthod/Geneva).

Spread of the first Open House booklet — Booklet with essais about architecture and design published on the occasion of the first installment of the open air exhibition Open House (Genthod/Geneva).

↔ 130 ㎜ ↕ 210 ㎜ 🗐 48 ◼ Offset ‡ Glued 🇫 ʧ Zetafonts ↗︎ Stinger and The Pyte Foundry ↗︎ Triptych

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Open House Session I

↔ 1080 ⒳ ↕ 1080 ⒳ ⏱ 13 ⒮ 🇫 ʧ Zetafonts ↗︎ Stinger

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Guillaume Dénervaud, Fumées Sombres

Couverture de la brochure Fumées Sombres de Guillaume Dénervaud — Collection of drawings by Guillaume Dénervaud ↗ published in the Before Publication collection of Centre d’édition contemporaine, Geneva ↗. The drawings are printed in real size, cropped to fit each page.

Spread of the brochure Fumées Sombres by Guillaume Dénervaud — Collection of drawings by Guillaume Dénervaud ↗ published in the Before Publication collection of Centre d’édition contemporaine, Geneva ↗. The drawings are printed in real size, cropped to fit each page.

↔ 172 ㎜ ↕ 235 ㎜ 🗐 20 ◼ ◼ Offset ‡ Stitched 🇬

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Laure Marville, Je disparais

⏱ 16 ⒮

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Laure Marville, Je Disparais

Poster for Laure Marville's solo show Je Disparais — Poster for the exhibition by Laure Marville ↗ at Ferme de la Chapelle ↗. The artwork is made from scans of original linocuts by the artist, the text blocs are linocuts made in the studio from the artists’ drawings. In collaboration with Coraline Beyeler and Estelle Bouchet (interns).

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ Screenprint

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Anne Dressen en/in conversation avec/with Nick Mauss

Cover of the publication “Anne Dressen in conversation with Nick Mauss” — Conversation between curator Anne Dressen and artist Nick Mauss published in Centre d’édition contemporaine, Genève ↗’s collection Before Publication.

Spread of the publication “Anne Dressen in conversation with Nick Mauss” — Conversation between curator Anne Dressen and artist Nick Mauss published in Centre d’édition contemporaine, Genève ↗’s collection Before Publication.

↔ 172 ㎜ ↕ 235 ㎜ 🗐 36 ◼ ◼ Offset 🇫 🇬

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A Man Once Bitten By A Snake

Cover of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope" — Cover of Céline Burnand’s ↗ photo book. Half of the diptych A Man Once Bitten By A Snake Fears Every Piece Of Rope / Un homme une fois mordu par un serpent craint chaque bout de corde. Layout and cover lettering.

Half-title of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope" — Cover of Céline Burnand’s ↗ photo book. Half of the diptych A Man Once Bitten By A Snake Fears Every Piece Of Rope / Un homme une fois mordu par un serpent craint chaque bout de corde. Layout and cover lettering.

↔ 130 ㎜ ↕ 200 ㎜ 🗐 72 ◼ ◼ ◼ ◼ Offset 🇫 🇬 ʧ Grilli Type Alpina ↗︎

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Un Homme une fois mordu par un serpent

Cover of Céline Burnand's text book "A Man Once Bitten By A Snake Fears Every Piece Of Rope" — Cover Céline Burnand’s ↗ text book. Half of the diptych A Man Once Bitten By A Snake Fears Every Piece Of Rope / Un homme une fois mordu par un serpent craint chaque bout de corde. Layout and cover lettering.

Half-title page of Céline Burnand's text book — Cover Céline Burnand’s ↗ text book. Half of the diptych A Man Once Bitten By A Snake Fears Every Piece Of Rope / Un homme une fois mordu par un serpent craint chaque bout de corde. Layout and cover lettering.

↔ 130 ㎜ ↕ 200 ㎜ 🗐 80 ◼ Offset 🇫 🇬 ʧ Grilli Type Alpina ↗︎

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Demeurer dans les arbres

Two drawings by Guy Oberson on the invitation to his exhibition — Invitation for Guy Oberson’s ↗ exhibition at Ferme de la Chapelle ↗. Two drawings by the artist.

Back of the invitation to Guy Oberson's exhibition — Invitation for Guy Oberson’s ↗ exhibition at Ferme de la Chapelle ↗. Two drawings by the artist.

↔ 150 ㎜ ↕ 210 ㎜ ◼ ◼ Offset 🇫 ʧ NM Type Movement ↗︎

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Art
Flyer

Demeurer dans les arbres

↔ 1920 ⒳ ↕ 1080 ⒳ ⏱ 16 ⒮ ʧ NM Type Movement ↗︎

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Topic

Topic

Topic typeface — Inversion of complete letters and geometric base elements.

Topic typeface — Inversion of complete letters and geometric base elements.

ʧ Topic

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Spécimens

Hand lettering on an invitation for an exhibition by Jérôme Stettler — Invitation for Jérôme Stettler ↗ solo show at Ferme de la Chapelle ↗. Hand lettering based on a grid provided by the artist.

Text printed in white ink on the backside of the invitation for Jérôme Stettler's exhibition — Invitation for Jérôme Stettler ↗ solo show at Ferme de la Chapelle ↗. Hand lettering based on a grid provided by the artist.

↔ 150 ㎜ ↕ 210 ㎜ ◼ Offset 🇫 ʧ Optimo Gravostyle ↗︎ and Gravostyle Boeklin (unreleased)

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Spécimens

Spécimens

Modular lettering on the poster for Jérôme Stettler's exhibition — Poster for Jérôme Stettler’s ↗ exhibition at Ferme de la Chapelle ↗. Lettering based on a grid submitted by the artist. In collaboration with Noa Perez (intern).

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ Screenprint

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Cosmique cosmétique

Painted hand on the poster for the exhibition by Julie Monot and Gil Pellaton — Poster for the exhibition of works by Julie Monot ↗ and Gil Pellaton ↗ at Ferme de la Chapelle ↗.

Printed detail of the poster for the Cosmique Cosmétique exhibition — Poster for the exhibition of works by Julie Monot ↗ and Gil Pellaton ↗ at Ferme de la Chapelle ↗.

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ Screenprint ʧ Nofoundry Kaeru Kaeru ↗︎

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Dopamine Crush

Metallic cover of the brochure Dopamine Crush — Brochure/mini-catalogue edited for the exposition by Luc Mattenberger ↗ at Ferme de la Chapelle ↗. Randomly generated outgrowth.

Spread from the brochure Dopamine Crush — Brochure/mini-catalogue edited for the exposition by Luc Mattenberger ↗ at Ferme de la Chapelle ↗. Randomly generated outgrowth.

🗐 20 ◼ ◼ ◼ ◼ ◼ Offset ʧ Halunke by Elena Scheider ↗︎

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Paul Paillet

Cover of artist Paul Paillet’s publication — Artist Paul Paillet’s publication in the Centre d’édition contemporaine, Genève ↗ collection Before Publication.

Spread of Paul Paillet’s publication — Artist Paul Paillet’s publication in the Centre d’édition contemporaine, Genève ↗ collection Before Publication.

↔ 172 ㎜ ↕ 235 ㎜ 🗐 12 ◼ Offset 🇫

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Dopamine Crush

↔ 1920 ⒳ ↕ 1080 ⒳ ⏱ 16 ⒮ ʧ Halunke de Elena Scheider ↗︎

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Dopamine Crush

Neon letters and outgrowth on a poster for Luc Mattenberger's exhibition — Poster for Luc Mattenberger ↗‘s solo show at Ferme de la Chapelle ↗. Randomly generated ‘rhizomes’.

Printing detail of the poster for the exhibition Dopamine Crush — Poster for Luc Mattenberger ↗‘s solo show at Ferme de la Chapelle ↗. Randomly generated ‘rhizomes’.

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ Screenprint ʧ Halunke by Elena Schneider ↗︎

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Vanderlove letter

Lettering on the cover of Vanderlove Letter issue 3 — Cover of the third issue of contemporary art newspaper Vanderlove Letter ↗. Lettering.

↔ 245 ㎜ ↕ 330 ㎜ ◼ ◼ ◼ ◼ Offset ʧ Milieu Grotesque Maison Neue Mono ↗︎

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Harry Burke

Cover of Harry Burke's publication published by the Centre d'édition contemporaine Geneva — Harry Burke’s publication in Centre d’édition contemporaine, Geneva ↗‘s series Before Publication.

Spread of Harry Burke's publication edited by Centre d'édition contemporaine Geneva — Harry Burke’s publication in Centre d’édition contemporaine, Geneva ↗‘s series Before Publication.

↔ 172 ㎜ ↕ 235 ㎜ 🗐 24 ◼ Offset ‡ Stitched 🇬

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Lieber Maler, male mir

↔ 1920 ⒳ ↕ 1080 ⒳ ⏱ 16 ⒮

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Lieber Maler, male mir

A Printing by David Weishaar on the invitation to the Lieber Maler, male mir exhibition at the Ferme de la Chapelle — Invitation for Jessica Russ’s ↗ and David Weishaar’s ↗ exhibition at Ferme de la Chapelle ↗. Image: detail from David Weishaar’s painting Pink Opening (reworked for printing).

Invitation for Jessica Russ’s ↗ and David Weishaar’s ↗ exhibition at Ferme de la Chapelle ↗. Image: detail from David Weishaar’s painting Pink Opening (reworked for printing).

↔ 150 ㎜ ↕ 210 ㎜ ◼ ◼ ◼ ◼ ◼ Offset 🇫

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Lieber Maler, male mir

A painting by Jessica Russ on the poster for Lieber Maler, male mir's exhibition at Ferme de la Chapelle — Poster for Jessica Russ ↗ and David Weishaar’s ↗ exhibition at Ferme de la Chapelle ↗. Image: detail from Jessica Russ’s painting Le Phare aux guignols (reworked for printing).

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ ◼ Screenprint

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Narcissi

Narcissi’s self-titled EP cover, Danse Noire, 2019 — Russian group’s Narcissi Narcissi EP cover, Danse Noire, 2019. Collage of sculptures by artists Pasha Bezor and Pasha Blagoveshchensky from Krasnodar’s collective Plague. In the center, a drawing by Natalia Gontcharova.

↔ 3000 ⒳ ↕ 3000 ⒳

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Challenger

Spray and tags on the cover of the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle — Cover of the brochure published for Simon Paccaud ↗’s exhibition at Ferme de la Chapelle ↗. Spray paint and tags made at size 1:1 by Simon Paccaud.

Sculpture by Jean Angelats and Simon Paccaud in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle — Cover of the brochure published for Simon Paccaud ↗’s exhibition at Ferme de la Chapelle ↗. Spray paint and tags made at size 1:1 by Simon Paccaud.

↔ 165 ㎜ ↕ 222 ㎜ 🗐 16 ◼ ◼ ◼ ◼ ◼ Offset 🇫 ʧ Maximage ↗︎ Signs (unreleased)

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Lemme

🇫 ʧ Contrast Foundry Peshka ↗︎

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Morelli–Freud–Holmes

Poster for Donatella Bernardi’s exhibition at Kunst Raum Riehen — Poster for Donatella Bernardi ↗’s exhibition Morelli-Freud-Holmes at Kunst Raum Riehen ↗.

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ ◼ Offset ʧ Milieu Grotesque Patron ↗︎

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Challenger

↔ 1920 ⒳ ↕ 1080 ⒳ ⏱ 24 ⒮

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Challenger

Spray paint and tags by Simon Paccaud on the poster for his exhibition at Ferme de la Chapelle — Poster for a group exhibition curated by Simon Paccaud ↗ at Ferme de la Chapelle ↗. Spray paint and tags were made at 1:1 scale by Simon Paccaud.

Printed detail of the poster to Simon Paccaud's exhibition Challenger — Poster for a group exhibition curated by Simon Paccaud ↗ at Ferme de la Chapelle ↗. Spray paint and tags were made at 1:1 scale by Simon Paccaud.

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ Screenprint ʧ Maximage ↗︎ Signs (unreleased)

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Infolding

An artwork by Maya Rochat on Gil's EP cover — Digital cover for Gil’s EP Infolding, Danse Noire, 2019. Image: Maya Rochat, Meta Iceberg, from the series A Rock Is A River, 2017 (detail)

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partes extra partes

Cover of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle — Brochure/mini-catalog published for Abigail Janjic ↗ and Simon Rimaz ↗’s exhibition at Ferme de la Chapelle ↗. Image: scans from the screenprinted poster.

Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle — Brochure/mini-catalog published for Abigail Janjic ↗ and Simon Rimaz ↗’s exhibition at Ferme de la Chapelle ↗. Image: scans from the screenprinted poster.

↔ 165 ㎜ ↕ 222 ㎜ 🗐 16 ◼ ◼ ◼ ◼ ◼ ◼ Offset 🇫

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partes extra partes

Poster of Abigail Janjic's and Simon Rimaz' exhibition at Ferme de la Chapelle — Poster for Abigail Janjic ↗‘s and Simon Rimaz’ ↗ exhibition at Ferme de la Chapelle ↗. The image was made by putting various elements (scraps of cloth, rubber bands, printed and painted tracing paper…) directly on the exposure unit.

Detail of the screen printed poster for Abigail Janjic and Simon Rimaz’ exhibition at Ferme de la Chapelle — Poster for Abigail Janjic ↗‘s and Simon Rimaz’ ↗ exhibition at Ferme de la Chapelle ↗. The image was made by putting various elements (scraps of cloth, rubber bands, printed and painted tracing paper…) directly on the exposure unit.

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ Screenprint

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Elise Gagnebin-de Bons

🇫

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Expanding Bodies

A printed and embroidered blanket by Xénia Laffely — Brochure/mini-catalog for the exhibition by Xénia Laffely ↗ and Nastasia Meyrat ↗ at Ferme de la Chapelle ↗. Image: My Face Is Red Like My Anger, printed and embroidered blanket by Xénia Laffely.

A photo of an installation by Xénia Laffely — Brochure/mini-catalog for the exhibition by Xénia Laffely ↗ and Nastasia Meyrat ↗ at Ferme de la Chapelle ↗. Image: My Face Is Red Like My Anger, printed and embroidered blanket by Xénia Laffely.

↔ 165 ㎜ ↕ 222 ㎜ 🗐 16 ◼ ◼ ◼ ◼ ◼ Offset ‡ Stitched 🇫 ʧ OHno Type Eckmannpsych ↗︎

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Expanding Bodies poster

Poster for an exhibition at Ferme de la Chapelle featuring an artwork by Nasatsia Meyrat. Graphic design: Niels Wehrspann — Poster for an exhibition by Xénia Laffely ↗ and Nastasia Meyrat ↗ at Ferme de la Chapelle ↗. Image: Dreams Happen When They Spread Themselves, embroidery by Nastasia Meyrat (reworked for printing).

Printing detail of the Expanding Bodies poster. Graphic design: Niels Wehrspann — Poster for an exhibition by Xénia Laffely ↗ and Nastasia Meyrat ↗ at Ferme de la Chapelle ↗. Image: Dreams Happen When They Spread Themselves, embroidery by Nastasia Meyrat (reworked for printing).

↔ 895 ㎜ ↕ 1280 ㎜ ◼ ◼ ◼ ◼ Screenprint ʧ OHno Type Eckmannpsych ↗︎

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Expanding Bodies invitation

Artwork on cloth by Xénia Laffely on the invitation to the exhibition “Expanding Bodies” at Ferme de la Chapelle — Invitation card to Xénia Laffely ↗ and Nastasia Meyrat ↗ exhibition at Ferme de la Chapelle ↗. Image: My Face Is Red Like My Anger, printed and embroidered blanket by Xénia Laffely.

Back of the invitation to the exhibition Expanding Bodies at Ferme de la Chapelle. Graphic design: Niels Wehrspann — Invitation card to Xénia Laffely ↗ and Nastasia Meyrat ↗ exhibition at Ferme de la Chapelle ↗. Image: My Face Is Red Like My Anger, printed and embroidered blanket by Xénia Laffely.

↔ 150 ㎜ ↕ 210 ㎜ ◼ ◼ ◼ ◼ Offset 🇫 ʧ OHno Type Eckmannpsych ↗︎

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