2021

solidaritéS

Cover of solidaritéS journal issue 394, with the “Tax the rich" slogan worn by Alexandria Ocasio-Cortez
Cover of solidaritéS ↗︎ journal. Graphs showing the rise of inequality in Switzerland and the slogan on Aurora James’s dress worn by Alexandria Ocasio-Cortez at the 2021 Met Gala, to illustrate the Socialist Youth’s ↗︎ “99%” initiative. In collaboration with Tamara Mottet (intern).
Cover of solidaritéS journal issue 395, with a photo of a young women facing the police
Cover of solidaritéS ↗︎ journal. Photo by Eric Roset ↗︎ of a protest against covid certificates and the far right in Geneva.
↔ 235  ㎜   ↕ 338  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎ and Typemates Pensum ↗︎
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Dandelion

Invitation with a photography of a cloth in the background
Invitation for the exhibition by Camille Buhler ↗ and Flora Mottini ↗ at Ferme de la Chapelle ↗. The background is a photography of a cloth provided by the artists. In collaboration with Coraline Beyeler (intern).
Back.
◼ ◼ ◼ ◼   Offset ʧ Kaftan serif by Victor Bartis ↗︎ and Velvetyne Sporting Grotesque ↗︎
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solidaritéS

Cover of solidaritéS journal issue 394, with an LGBTQI+ flag made from marker pen strokes
Cover of solidaritéS ↗︎ journal. Queer struggles social issue. In collaboration with Tamara Mottet (intern).
↔ 235  ㎜   ↕ 338  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎ and Typemates Pensum ↗︎
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Process Alphabet

Specimen showing hand-drawn letters
Brochure (specimen) presenting the result of a one-week workshop given at the preparatory school Têtard, Lausanne. First, students would devise various drawing ‘instructions’. Then they would draw them randomly and execute them to draw capital letters. Finally, 3 versions of each letter was photocopied on top of each other.
The letters A and B drawn by hand.
Spread (A & B).
The letters K and L drawn by hand.
Spread (K & L).
The letters M and N drawn by hand.
Spread (M & N).
The letters Q and R drawn by hand.
Spread (Q & R).
Back of a type brochure
Back. Beginning of the text than runs on the cover, listing all the names of the students.
↔ 210  ㎜   ↕ 297  ㎜  🗐 28  ◼   Digital
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Sie spricht nicht

Poster with a sculpture
Poster for the exhibition by Simone Holliger ↗ at Ferme de la Chapelle ↗. Photograph of one of the artist’s sculptures.
Screenprint detail
Printing detail
Screenprint detail
Printing detail
Screenprint detail
Printing detail
Back of the invitation to Simone Holliger’s solo exhibition
Back.
Invitation to Simone Holliger’s solo exhibition
Invitation.
↔ 150  ㎜   ↕ 210  ㎜  ◼ ◼   Screenprint    🇫   🇩   ʧ Poem Editions ↗︎ Almost Gothic
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Puxxximaxxx

Gabber Modus Operandi, Puxxximaxxx, album sleeve, front
Vinyl reissue of Indonesian band Gabber Modus Operandi’s album «Puxxximaxx». Danse Noire ↗, 2021. Black/white adaptation of the original illustration by Indonesian artist Teknovoid.
Gabber Modus Operandi, Puxxximaxxx, album sleeve with splatter vinyl
Neon yellow and red splatter vinyl.
Gabber Modus Operandi, Puxxximaxxx, album sleeve, back
Back
↔ 315  ㎜   ↕ 320  ㎜  ◼   Offset    🇬  
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Together for an ecological and solidary recovery

Pamphlet for the 2021 communal elections in Lausanne
Ensemble à Gauche Lausanne’s ↗ pamphlet/programme for the 2021 communal elections.
Pamphlet for the 2021 communal elections in Lausanne
Ensemble à Gauche Lausanne’s ↗ pamphlet/programme for the 2021 communal elections.
Pamphlet for the 2021 communal elections in Lausanne
Ensemble à Gauche Lausanne’s ↗ pamphlet/programme for the 2021 communal elections.
Pamphlet for the 2021 communal elections in Lausanne
Ensemble à Gauche Lausanne’s ↗ pamphlet/programme for the 2021 communal elections.
↔ 338  ㎜   ↕ 470  ㎜  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Kostic Type ↗︎ Monotalic with modified accents and Luzi Type ↗︎ Beirut
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Laure Marville, Je disparais

⏱ 16 ⒮ 
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solidaritéS

Cover of solidaritéS bimonthly about an anti-hijab initiative
Cover of solidaritéS ↗︎ journal, about the far right initiative to forbid the wearing of hijab.
Cover of solidaritéS journal issue 382, with a photo of a child during the Tahir square occupation
Cover of solidaritéS ↗︎ journal, about the 10th anniversary of the «Arab spring».
↔ 235  ㎜   ↕ 338  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎ and Typemates Pensum ↗︎
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Friendship

Sociogram with hearts
Poster of the 2021 edition of Festival Cinéma Jeune Public ↗ (youth film festival). The theme was friendship. Letters form a (moderately kawaii) sociogram. In collaboration with Tamara Mottet (intern).
Poster in the street
In-situ near my studio.
Festival poster at night
The digital poster version.
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼   Screenprint ʧ Optimo Gravostyle ↗︎ and Gravostyle Swash (unreleased)
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Festival Cinéma Jeune Public

A sociogram made of letters and hearts
Programme of the 2021 edition of Festival Cinéma Jeune Public ↗ (youth film festival). The theme was friendship. Letters form a (moderately kawaii) sociogram. In collaboration with Tamara Mottet (intern).
Spread of FCJP's 2021 programme
Spread. Foreword.
Spread of FCJP's 2021 programme
Spread. Short movie programme.
Spread of FCJP's 2021 programme
Central spread.
Spread of FCJP's 2021 programme
Spread. Workshops section introduction.
Spread of FCJP's 2021 programme
Spread. Workshops.
Spread of FCJP's 2021 programme
Spread. Practical infos.
Back of FCJP's 2021 programme
Back
↔ 150  ㎜   ↕ 105  ㎜  🗐 48  ◼ ◼   Offset    🇫   ʧ Optimo Gravostyle ↗︎ and Gravostyle Swash (unreleased)
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FASL

Poster for the FASL Lausanne
Poster presenting some of the many activities in Lausanne’s community centres, which are supervised by the FASL – Fondation pour l’animation socioculturelle de Lausanne ↗. Pictograms designed in collaboration whit Colin Heiniger (intern, 2020).
Photo of the FASL Poster 2021
In-situ view
Print detail of the FASL poster 2021
Print detail.
Print detail of the FASL poster 2021
Print detail.
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Screenprint    🇫   ʧ Altiplano Nirvana ↗︎
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Laure Marville, Je Disparais

Poster for Laure Marville's solo show Je Disparais
Poster for the exhibition by Laure Marville ↗ at Ferme de la Chapelle ↗. The artwork is made from scans of original linocuts by the artist, the text blocs are linocuts made in the studio from the artists’ drawings. In collaboration with Coraline Beyeler and Estelle Bouchet (interns).
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Screenprint
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Drop the patents

Torn Pfizer vaccine patent on a flyer
Flyer for a demonstration organized by a large coalition of organizations.
↔ 150  ㎜   ↕ 210  ㎜  ◼ ◼   Offset    🇫   🇬   ʧ Inter ↗︎
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Guillaume Dénervaud, Fumées Sombres

Couverture de la brochure Fumées Sombres de Guillaume Dénervaud
Collection of drawings by Guillaume Dénervaud ↗ published in the Before Publication collection of Centre d’édition contemporaine, Geneva ↗. The drawings are printed in real size, cropped to fit each page.
Spread of the brochure Fumées Sombres by Guillaume Dénervaud
Spread.
Spread of the brochure Fumées Sombres by Guillaume Dénervaud
Spread, start of Dean Kissick’s text.
Spread of the brochure Fumées Sombres by Guillaume Dénervaud
Spread.
Spread of the brochure Fumées Sombres by Guillaume Dénervaud
Spread.
Back of the brochure Fumées Sombres by Guillaume Dénervaud
Back.
↔ 172  ㎜   ↕ 235  ㎜  🗐 20  ◼ ◼   Offset  ‡  Stitched    🇬  
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God Subject Meaning Money Phallus

Screenprint traces on a poster
Poster for the exhibition by Raphaelle Mueller ↗ at Ferme de la Chapelle ↗. First, the background was printed in black. Then, the yellow traces were painted with a brush and the red ones printed by manually after dripping ink on the frame, thus making each poster unique. Finally, the infos were printed with white ink. In collaboration with Tamara Mottet (intern).
Screenprint detail
Printing detail.
Screenprint detail
Printing detail.
Screenprint detail
Printing detail.
Screenprint detail
Printing detail.
Screenprint detail
Printing detail.
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼ ◼   Screenprint ʧ Times New Roman et Dinamo ↗︎ Whyte Inktrap Semi-Mono
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Electoral slogans

↔ 1080  ⒳   ↕ 1080  ⒳  ⏱ 9 ⒮     🇫   ʧ Kostic Type ↗︎ Monotalic with modified accents
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Anne Dressen en/in conversation avec/with Nick Mauss

Cover of the publication “Anne Dressen in conversation with Nick Mauss”
Conversation between curator Anne Dressen and artist Nick Mauss published in Centre d’édition contemporaine, Genève ↗’s collection Before Publication.
Spread of the publication “Anne Dressen in conversation with Nick Mauss”
Spread.
Spread of the publication “Anne Dressen in conversation with Nick Mauss”
Spread.
Spread of the publication “Anne Dressen in conversation with Nick Mauss”
Spread.
Spread of the publication “Anne Dressen in conversation with Nick Mauss”
Spread.
Back of the publication “Anne Dressen in conversation with Nick Mauss”
Back.
↔ 172  ㎜   ↕ 235  ㎜  🗐 36  ◼ ◼   Offset    🇫   🇬  
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Mend the Gender Gap

↔ 1920  ⒳   ↕ 1080  ⒳  ⏱ 5 ⒮  ʧ Roba by Franziska Weitgruber (Future Fonts ↗︎)
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solidaritéS

Cover of solidaritéS journal issue 385, with a collage and lettering about Holcim
Cover of solidaritéS ↗︎ journal, about the occupation of a hill that Holcim is destroying. In collaboration with Coraline Beyeler and Estelle Bouchet (interns).
Cover of solidaritéS journal issue 386, with a fresh can of liberty
Cover of solidaritéS ↗︎ journal. Ironic representation of the right’s notion of freedom. In collaboration with Coraline Beyeler (intern).
Cover of solidaritéS journal issue 388, with a photo of a raised fist
Cover of solidaritéS ↗︎ journal. Call to a Strike for future. In collaboration with Coraline Beyeler (intern).
↔ 235  ㎜   ↕ 338  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎ and Typemates Pensum ↗︎
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Open House I: Process

Cover of the first Open House booklet
Booklet with essais about architecture and design published on the occasion of the first installment of the open air exhibition Open House (Genthod/Geneva).
Spread of the first Open House booklet
Spread.
Spread of the first Open House booklet
Spread.
Spread of the first Open House booklet
Spread.
Back of the first Open House booklet
Back.
↔ 130  ㎜   ↕ 210  ㎜  🗐 48  ◼   Offset  ‡  Glued    🇫   ʧ Zetafonts ↗︎ Stinger and The Pyte Foundry ↗︎ Triptych
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Open House Session I

↔ 1080  ⒳   ↕ 1080  ⒳  ⏱ 13 ⒮     🇫   ʧ Zetafonts ↗︎ Stinger
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solidaritéS

Cover of solidaritéS journal issue 399, with a photo of a demonstration for the lift on intellectual property on covid vaccines
Cover of solidaritéS ↗︎ journal. Photo by Eric Roset ↗︎ of a demonstration for the lift on intellectual property on anti-covid vaccines, tests and treatments ↗︎ in Genève.
↔ 235  ㎜   ↕ 338  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎ and Typemates Pensum ↗︎
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The Wounded Eaglet

Demır Sönmez, «The Wounded Eaglet, My testimony on the Nagorno-Karabakh (Artsakh) war». Self-published book by the photojournalist.
Cover of Demır Sönmez’ book “L’Aiglon blessé”
Cover. Photo of a refugee from Haut-Karabakh.
Spread of Demır Sönmez’ book “L’Aiglon blessé”
Spread. Introduction.
War photographies in Demır Sönmez’ book “L’Aiglon blessé”
Spread. Building in Shushi.
Photo of a damaged cathedral in Demır Sönmez’ book “L’Aiglon blessé”
Spread. Ghazanchetsots cathedral in à Shushi.
Photo of the war in Nagorno-Karabakh in Demır Sönmez’ book “L’Aiglon blessé”
Spread. War in Nagorno-Karabakh.
Photos of a demonstration in Yerevan in Demır Sönmez’ book “L’Aiglon blessé”
Spread. Demonstration against the Nagorno-Karabakh peace agreement, Yerevan.
Photo of an arrest of a protestor in Yerevan in Demır Sönmez’ book “L’Aiglon blessé”
Spread. Demonstration against the Nagorno-Karabakh peace agreement, Yerevan.
Photos of a funeral in Demır Sönmez’ book “L’Aiglon blessé”
Spread. A soldier’s funeral.
Photo of Mount Ararat in Demır Sönmez’ book “L’Aiglon blessé”
Spread. Mount Ararat.
Back of Demır Sönmez’ book “L’Aiglon blessé”
Back. Biography of Demır Sönmez.
↔ 210  ㎜   ↕ 276  ㎜  🗐 128  ◼ ◼ ◼ ◼ ◼   Offset  ‡  Sewn    🇫   🇬   ʧ Milieu Grotesque ↗︎ Patron et TypeMates ↗︎ Bridge Head
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solidaritéS

Cover of solidaritéS journal issue 388, with a collage representing a protester behind bars
Cover of solidaritéS ↗︎ journal. Collage representing the threat for social movements that a new law “against terrorism” will pose. In collaboration with Coraline Beyeler (intern).
Cover of solidaritéS journal issue 390, with a photo of a screaming female protester
Cover of solidaritéS ↗︎ journal. Call for a new Women’s strike.
↔ 235  ㎜   ↕ 338  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎ and Typemates Pensum ↗︎
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Esprit es-tu là?

Cover of the publication Paul Viaccoz, Esprit es-tu là?
Paul Viaccoz, «Esprit es-tu là?», booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication.
Spread of the publication Paul Viaccoz, Esprit es-tu là?
First page. Paul Viaccoz’s drawings from the «Paysages de guerre» series (graphite and white acrylic blanc on paper) are reproduced at real size.
Spread of the publication Paul Viaccoz, Esprit es-tu là?
Spread. Short text by Paul Viaccoz.
Spread of the publication Paul Viaccoz, Esprit es-tu là?
Spread. Short text by Paul Viaccoz.
Spread of the publication Paul Viaccoz, Esprit es-tu là?
Spread. Sandra Pointet’s photo of the «Murs de la maison blanche», acrylic paint on concrete.
Spread of the publication Paul Viaccoz, Esprit es-tu là?
Spread.
Spread of the publication Paul Viaccoz, Esprit es-tu là?
Spread. Sandra Pointet’s photo of a detail of the «Murs de la maison blanche», acrylic paint on concrete.
Spread of the publication Paul Viaccoz, Esprit es-tu là?
Spread.
Spread of the publication Paul Viaccoz, Esprit es-tu là?
Spread. Sandra Pointet’s photo of a detail of the «Murs de la maison blanche», acrylic paint on concrete.
Spread of the publication Paul Viaccoz, Esprit es-tu là?
Spread, colophon.
Back of the publication Paul Viaccoz, Esprit es-tu là?
Back.
↔ 172  ㎜   ↕ 235  ㎜  🗐 36  ◼   Offset  ‡  Stitched    🇫  
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Communal elections

Poster for the communal elections 2021 in Lausanne
Poster for Ensemble à Gauche’s ↗ communal election campaign 2021 in Lausanne. Each of the five thematic axes has its color code. The slogan translates as “Together for a complaint instance independent from the police”.
Poster for the communal elections 2021 in Lausanne
Poster for Ensemble à Gauche’s ↗ communal election campaign 2021 in Lausanne. Each of the five thematic axes has its color code. The slogan translates as “For better working conditions for municipal staff”.
Poster for the communal elections 2021 in Lausanne
Poster for Ensemble à Gauche’s ↗ communal election campaign 2021 in Lausanne. Each of the five thematic axes has its color code. The slogan translates as “Together for to allocate 5% of the municipal budget to culture”.
Poster for the communal elections 2021 in Lausanne
Poster for Ensemble à Gauche’s ↗ communal election campaign 2021 in Lausanne. Each of the five thematic axes has its color code. The slogan translates as “Together for the creation of a covid emergency fund”.
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Kostic Type ↗︎ Monotalic with modified accents
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Still Life/Les Feuilles mortes

A painting of a leave on the cover of David Hominal's publication
David Hominal, «Still Life/Les Feuilles mortes», booklet from the Centre d’édition contemporaine, Geneva’s ↗ collection Before Publication. Image: Feuilles mortes 1, 45×60 cm, oil on canvas, 2020.
A small painting by David Hominal
Spread. Feuilles, 23 × 51 cm, oil on wood, 2021
Two paintings by David Hominal
Spread. Halloween Still Life Winter (Spring) 1 and 2, 160×160 cm, oil on canvas, 2021
Two states of a painting by David Hominal
Spread. Two states of «🍂», 200×300 cm, oil on canvas, 2021
Backside of paintings
Spread. Backsides of Les feuilles mortes Still Life, 160×160 cm, acrylic and oil on canvas, 2021 and Les feuilles mortes Still Life, 200×200 cm, acrylic and oil on canvas, 2021.
Two states of a painting by David Hominal
Spread. Two states of NOVEMBER 20 SPRING SPRING 21 SPRING SPRING JANUAR 2021 SPRING LES FEUILLES MORTES SPRING, 190×240 cm, oil on canvas, 2021
A painting by David Hominal
Spread. NOVEMBER 20 SPRING SPRING 21 SPRING SPRING JANUAR 2021 SPRING LES FEUILLES MORTES SPRING, 190×240 cm, oil on canvas, 2021
Backside of a painting by David Hominal
Spread. Backside of NOVEMBER 20 SPRING SPRING 21 SPRING SPRING JANUAR 2021 SPRING LES FEUILLES MORTES SPRING, 190×240 cm, oil on canvas, 2021 and colophon.
A painting of a leave on the back of David Hominal's publication
Back. SKETCHES de feuilles LEAVES, number 2
↔ 172  ㎜   ↕ 235  ㎜  🗐 32  ◼ ◼ ◼ ◼ ◼   Offset  ‡  Stitched    🇫  
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Friendship

Postcard mixing heart-shaped text and lines
Postcard announcing the next edition of the Festival Cinéma Jeune Public ↗. That first draft will evolve considerably for the final identity of the 2021 festival.
Back of the postcard
Back
↔ 150  ㎜   ↕ 105  ㎜  ◼   Digital    🇫   ʧ Optimo Gravostyle ↗︎ and Gravostyle Swash (unreleased)
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solidaritéS

Cover of solidaritéS journal issue 383, with a collage about the 50th anniversary of the women’s right to vote
Cover of solidaritéS ↗︎ journal, about the 50th anniversary of the women’s right to vote in Switzerland. Photo: Gustave Deghilage. In collaboration with Coraline Beyeler and Estelle Bouchet (interns).
Cover of solidaritéS journal issue 384, with a collage about the first anniversary of the covid pandemic
Cover of solidaritéS ↗︎ journal, about the 50th anniversary of the women’s right to vote in Switzerland. In collaboration with Coraline Beyeler and Estelle Bouchet (interns).
↔ 235  ㎜   ↕ 338  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎ and Typemates Pensum ↗︎
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solidaritéS

Cover of solidaritéS journal issue 396, with a photo of a protest against patents
Cover of solidaritéS ↗︎ journal. Photo of a demonstration for the lift on covid vaccines patents, organized by the AIDS Healthcare Foundation ↗︎ in… Kyiv, in July 2021.
Cover of solidaritéS journal issue 397, with a collage showing a sinking cargo ship
Cover of solidaritéS ↗︎ journal. Collage with a photo of a sinking cargo ship.
↔ 235  ㎜   ↕ 338  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎ and Typemates Pensum ↗︎
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2020

Un Homme une fois mordu par un serpent

  • Cover of Céline Burnand's text book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Cover Céline Burnand’s ↗ text book. Half of the diptych A Man Once Bitten By A Snake Fears Every Piece Of Rope / Un homme une fois mordu par un serpent craint chaque bout de corde. Layout and cover lettering.
  • Half-title page of Céline Burnand's text book
    Half-title.
  • Spread of Céline Burnand's text book
    Spread.
  • Spread of Céline Burnand's text book
    Spread.
  • Spread of Céline Burnand's text book
    Spread.
  • Spread of Céline Burnand's text book
    Spread.
  • Spread of Céline Burnand's text book
    Spread.
  • Spread of Céline Burnand's text book
    Spread.
  • Spread of Céline Burnand's text book
    Spread.
↔ 130  ㎜   ↕ 200  ㎜  🗐 80  ◼   Offset    🇫   🇬   ʧ Grilli Type Alpina ↗︎
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Spécimens

Paul Paillet

  • Cover of artist Paul Paillet’s publication
    Artist Paul Paillet’s publication in the Centre d’édition contemporaine, Genève ↗ collection Before Publication.
  • Spread of Paul Paillet’s publication
    Spread. The painted plaster work (about ~A2 in size) was scanned to preserve all the details.
  • Spread of Paul Paillet’s publication
    Spread. The painted plaster work (about ~A2 in size) was scanned to preserve all the details.
  • Spread of Paul Paillet’s publication
    Spread. The painted plaster work (about ~A2 in size) was scanned to preserve all the details.
  • Spread of Paul Paillet’s publication
    Spread. The painted plaster work (about ~A2 in size) was scanned to preserve all the details.
  • Spread of Paul Paillet’s publication
    Captions for the works and colophon.
  • Back of Paul Paillet's publication
    Back.
↔ 172  ㎜   ↕ 235  ㎜  🗐 12  ◼   Offset    🇫  
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A Man Once Bitten By A Snake

  • Cover of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Cover of Céline Burnand’s ↗ photo book. Half of the diptych A Man Once Bitten By A Snake Fears Every Piece Of Rope / Un homme une fois mordu par un serpent craint chaque bout de corde. Layout and cover lettering.
  • Half-title of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Half-title.
  • Spread of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Spread.
  • Spread of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Spread.
  • Spread of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Spread.
  • Spread of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Spread.
  • Spread of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Spread.
  • Spread of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Colophon.
↔ 130  ㎜   ↕ 200  ㎜  🗐 72  ◼ ◼ ◼ ◼   Offset    🇫   🇬   ʧ Grilli Type Alpina ↗︎
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Lausanne sur mer

↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Offset ʧ Altiplano Nirvana ↗︎
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Vanderlove letter

↔ 245  ㎜   ↕ 330  ㎜  ◼ ◼ ◼ ◼   Offset ʧ Milieu Grotesque Maison Neue Mono ↗︎
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Lausanne sur mer

↔ 60  ㎜   ↕ 84  ㎜  ◼ ◼ ◼   Offset    🇫   ʧ Altiplano Nirvana ↗︎
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Topic

Dopamine Crush

↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Screenprint ʧ Halunke by Elena Schneider ↗︎
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Danse Noire party

↔ 297  ㎜   ↕ 420  ㎜  ◼   Digital
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Demeurer dans les arbres

↔ 1920  ⒳   ↕ 1080  ⒳  ⏱ 16 ⒮  ʧ NM Type Movement ↗︎
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Dopamine Crush

🗐 20  ◼ ◼ ◼ ◼ ◼   Offset ʧ Halunke by Elena Scheider ↗︎
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Festival Cinéma Jeune Public

↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼   Screenprint ʧ Gravostyle Swash (inédite) et Optimo Gravostyle ↗︎
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Topic

  • Topic typeface
    Inversion of complete letters and geometric base elements.
  • Topic typeface
    Typeface designed for contemporary art space Topic, Geneva, and its curatorial takeover by Donatella Bernardi and Angela Marzullo. The letters comprise a geometric base and an organic element.
ʧ Topic
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Cosmique cosmétique

↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Screenprint ʧ Nofoundry Kaeru Kaeru ↗︎
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Dopamine Crush

↔ 1920  ⒳   ↕ 1080  ⒳  ⏱ 16 ⒮  ʧ Halunke de Elena Scheider ↗︎
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solidaritéS

Fuck Fortress Europe
Cover of solidaritéS ↗︎ bimonthly issue 375.
Collage with a photo of Joe Biden and the American flag
Cover of solidaritéS ↗︎ bimonthly issue 377.
↔ 245  ㎜   ↕ 330  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎
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Demeurer dans les arbres

Two drawings by Guy Oberson on the invitation to his exhibition
Invitation for Guy Oberson’s ↗ exhibition at Ferme de la Chapelle ↗. Two drawings by the artist.
Back of the invitation to Guy Oberson's exhibition
Back.
↔ 150  ㎜   ↕ 210  ㎜  ◼ ◼   Offset    🇫   ʧ NM Type Movement ↗︎
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Vivons nos quartiers

↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Offset ʧ Altiplano Nirvana ↗︎
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Spécimens

↔ 150  ㎜   ↕ 210  ㎜  ◼   Offset    🇫   ʧ Optimo Gravostyle ↗︎ and Gravostyle Boeklin (unreleased)
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Spécimens

↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼   Screenprint
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solidaritéS

↔ 245  ㎜   ↕ 330  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎
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Processus

  • Cover of the leaflet made during the workshop I gave at Têtard
    Cover of the brochure made during the workshop I gave at Têtard art school, Lausanne. The students have elaborated a series of short instructions. For each page, they drew three of them by lot and made them. The results were then simply overlaid. The page number was made with one of the instructions.
  • Spread from the brochure made during the “Processus” workshop at Têtard art school, Lausanne
    Pages 2 and 3
  • Spread from the brochure made during the “Processus” workshop at Têtard art school, Lausanne
    Pages 4 and 5
  • Spread from the brochure made during the “Processus” workshop at Têtard art school, Lausanne
    Pages 14 and 15
  • Spread from the brochure made during the “Processus” workshop at Têtard art school, Lausanne
    Pages 22 and 23
  • Spread from the brochure made during the “Processus” workshop at Têtard art school, Lausanne
    Pages 26 and 27
  • Back of the brochure made during the “Processus” workshop at Têtard art school, Lausanne
    Back (page 28)
↔ 148.5  ㎜   ↕ 210  ㎜  🗐 28  ◼ ◼ ◼ ◼   Digital
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Festival Cinéma Jeune Public

ʧ Optimo Gravostyle ↗︎ and Gravostyle Swash (unreleased)
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2019

Les particules

Poster of the movie “Les Particules”
Poster of Blaise Harrison’s movie Les Particules ↗. Image: painting by Juliette Villard ↗ and randomly generated ‘particles’.
Detail of “Les Particules” movie poster
Typographic and ‘particle’ layer.
↔ 100  ㎝   ↕ 150  ㎝  ◼ ◼ ◼ ◼   Offset ʧ Milieu Grotesque Maison Neue Mono ↗︎
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Challenger

↔ 1920  ⒳   ↕ 1080  ⒳  ⏱ 24 ⒮ 
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Festival Cinéma Jeune Public

↔ 1729  ⒳   ↕ 1080  ⒳  ⏱ 18 ⒮  ʧ Optimo Gravostyle ↗︎ + Gravostyle Swash (inédite)
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Les Quarts d’Heure

↔ 1080  ⒳   ↕ 1080  ⒳  ⏱ 4 ⒮  ʧ Milieu Grotesque Patron ↗︎
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Festival Cinéma Jeune Public

Festival Cinéma Jeune Public 2019 programme cover
Festival Cinéma Jeune Public ↗ programme. In collaboration with Janissa Sallin (intern).
Festival Cinéma Jeune Public 2019 programme spread
Spread.
Festival Cinéma Jeune Public 2019 programme spread
Spread.
Festival Cinéma Jeune Public 2019 programme spread
Spread
Festival Cinéma Jeune Public 2019 programme, back
Back.
↔ 105  ㎜   ↕ 150  ㎜  🗐 32  ◼ ◼   Offset  ‡  Stitched    🇫   ʧ Optimo Gravostyle ↗︎ + Gravostyle Swash (unreleased)
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Harry Burke

Cover of Harry Burke's publication published by the Centre d'édition contemporaine Geneva
Harry Burke’s publication in Centre d’édition contemporaine, Geneva ↗‘s series Before Publication.
Spread of Harry Burke's publication edited by Centre d'édition contemporaine Geneva
First page
Spread of Harry Burke's publication edited by Centre d'édition contemporaine Geneva
Spread.
Spread of Harry Burke's publication edited by Centre d'édition contemporaine Geneva
Spread.
Spread of Harry Burke's publication edited by Centre d'édition contemporaine Geneva
Spread. Works by Rindon Johnson.
Spread of Harry Burke's publication edited by Centre d'édition contemporaine Geneva
Last page and colophon. Work by Rindon Johnson.
Back of Harry Burke's Before Publication 1 published by Centre d'édition contemporaine Geneva
Back
↔ 172  ㎜   ↕ 235  ㎜  🗐 24  ◼   Offset  ‡  Stitched    🇬  
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Federal elections

An electoral poster with the slogan "No one is illegal”
Posters for Ensemble à Gauche Vaud ↗’s campaign for the 2019 federal elections. The slogan is “No one is illegal”.
An electoral poster with the slogan "For a just degrowth in solidarity"
Posters for Ensemble à Gauche Vaud ↗’s campaign for the 2019 federal elections. The slogan is “For a just degrowth in solidarity”.
An electoral poster with the slogan "Let’s work less to live better"
Posters for Ensemble à Gauche Vaud ↗’s campaign for the 2019 federal elections. The slogan is “Let’s work less to live better”.
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Offset    🇫   ʧ Storm Type Trivia Gothic ↗︎
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Challenger

Spray paint and tags by Simon Paccaud on the poster for his exhibition at Ferme de la Chapelle
Poster for a group exhibition curated by Simon Paccaud ↗ at Ferme de la Chapelle ↗. Spray paint and tags were made at 1:1 scale by Simon Paccaud.
Printed detail of the poster to Simon Paccaud's exhibition Challenger
Printed detail
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Screenprint ʧ Maximage ↗︎ Signs (unreleased)
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Morelli–Freud–Holmes

Poster for Donatella Bernardi’s exhibition at Kunst Raum Riehen
Poster for Donatella Bernardi ↗’s exhibition Morelli-Freud-Holmes at Kunst Raum Riehen ↗.
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼ ◼   Offset ʧ Milieu Grotesque Patron ↗︎
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partes extra partes

Cover of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Brochure/mini-catalog published for Abigail Janjic ↗ and Simon Rimaz ↗’s exhibition at Ferme de la Chapelle ↗. Image: scans from the screenprinted poster.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Cover backside and introduction.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Spread. Collage made of elements provided by Abigail Janjic, printed in CMY and others provided by Simon Rimaz, printed in black only.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Spread. Collage made of elements provided by Abigail Janjic, printed in CMY and others provided by Simon Rimaz, printed in black only.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Spread. Collage made of elements provided by Abigail Janjic, printed in CMY and others provided by Simon Rimaz, printed in black only.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Spread. Collage made of elements provided by Abigail Janjic, printed in CMY and others provided by Simon Rimaz, printed in black only.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Spread. Collage made of elements provided by Abigail Janjic, printed in CMY and others provided by Simon Rimaz, printed in black only.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Spread. Collage made of elements provided by Abigail Janjic, printed in CMY and others provided by Simon Rimaz, printed in black only.
↔ 165  ㎜   ↕ 222  ㎜  🗐 16  ◼ ◼ ◼ ◼ ◼ ◼   Offset    🇫  
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Expanding Bodies

A printed and embroidered blanket by Xénia Laffely
Brochure/mini-catalog for the exhibition by Xénia Laffely ↗ and Nastasia Meyrat ↗ at Ferme de la Chapelle ↗. Image: My Face Is Red Like My Anger, printed and embroidered blanket by Xénia Laffely.
A photo of an installation by Xénia Laffely
Spread. Installation view of Hi Bich (Pour Emma Taeko Zoia) by Xénia Laffely at Last Tango, Geneva.
Installations by artists Nastasia Meyrat and Xénia Laffely
Center spread. Left: Me, myself and I, installation by Nastasia Meyrat at Zabriskie Point, Geneva. Right: Chase the Pattern (Pour Judy Chicago), installation by Xénia Laffely at Last Tango, Geneva.
Pictures of embroidered cloth by Nastasia Meyrat and Sarah Margnetti
Spread. Exhibition views of Embroidered Breath Of A Bordered Garden by Nastasia Meyrat and Sarah Margnetti at One gee in Fog, Geneva.
An artwork by Nastasia Meyrat
Image: Sans titre by Nastasia Meyrat
An artwork by Nastasia Meyrat
Second cover. Image: Dreams Happen When They Spread Themselves, embroidered cloth by Nastasia Meyrat (reworked for printing).
↔ 165  ㎜   ↕ 222  ㎜  🗐 16  ◼ ◼ ◼ ◼ ◼   Offset  ‡  Stitched    🇫   ʧ OHno Type Eckmannpsych ↗︎
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Infolding

An artwork by Maya Rochat on Gil's EP cover
Digital cover for Gil’s EP Infolding, Danse Noire, 2019. Image: Maya Rochat, Meta Iceberg, from the series A Rock Is A River, 2017 (detail)
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SLF Versions

SLF logon on the sleeve of Aisha Devi's EP “SLF Versions”
Aïsha Devi ↗︎’s EPS.L.F. Versions cover (Houdstooth ↗︎, London).
Back of Aisha Devi’s EP “SLF Versions” vinyl
Backside
↔ 306  ㎜   ↕ 304  ㎜  ◼   Offset    🇬   ʧ Custom monospace/monocase created for the <em>DNA Feelings</em> album
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Lieber Maler, male mir

A Printing by David Weishaar on the invitation to the Lieber Maler, male mir exhibition at the Ferme de la Chapelle
Invitation for Jessica Russ’s ↗ and David Weishaar’s ↗ exhibition at Ferme de la Chapelle ↗. Image: detail from David Weishaar’s painting Pink Opening (reworked for printing).
Back.
↔ 150  ㎜   ↕ 210  ㎜  ◼ ◼ ◼ ◼ ◼   Offset    🇫  
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partes extra partes

Poster of Abigail Janjic's and Simon Rimaz' exhibition at Ferme de la Chapelle
Poster for Abigail Janjic ↗‘s and Simon Rimaz’ ↗ exhibition at Ferme de la Chapelle ↗. The image was made by putting various elements (scraps of cloth, rubber bands, printed and painted tracing paper…) directly on the exposure unit.
Detail of the screen printed poster for Abigail Janjic and Simon Rimaz’ exhibition at Ferme de la Chapelle
Printed detail
Detail of the screen printed poster for Abigail Janjic and Simon Rimaz’ exhibition at Ferme de la Chapelle
Printed detail
Photo of the insulation of a screenprint frame for the poster for Abigail Janjic and Simon Rimaz’ exhibition at Ferme de la Chapelle
Insulation of a screen printing frame with stuff brought by Abigail Janjic
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Screenprint
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Narcissi

Narcissi’s self-titled EP cover, Danse Noire, 2019
Russian group’s Narcissi Narcissi EP cover, Danse Noire, 2019. Collage of sculptures by artists Pasha Bezor and Pasha Blagoveshchensky from Krasnodar’s collective Plague. In the center, a drawing by Natalia Gontcharova.
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Lieber Maler, male mir

↔ 1920  ⒳   ↕ 1080  ⒳  ⏱ 16 ⒮ 
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Elise Gagnebin-de Bons

   🇫  
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Les Quarts d’Heure

A ribbon made from photographs on the poster for a dance festival
Poster for Les Quarts d’Heure, a presentation of short works by emerging choreographers organized by Théâtre Sévelin 36 ↗, Lausanne. Illustration in collaboration with Rachel Gasser and Aurore Pery (interns).
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼ ◼   Offset ʧ Milieu Grotesque Patron ↗︎
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Quelque chose tombe

"If we die we're taking you with us" slogan on the album cover for Racine's "Quelque chose tombe" LP
Racine’s LP Quelque chose tombe cover, Danse Noire ↗, 2020. Found images.
Back of the vinyl cover of Racine's LP "Quelque chose tombe"
Back
↔ 306  ㎜   ↕ 304  ㎜  ◼ ◼   Offset    🇬  
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Challenger

Spray and tags on the cover of the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Cover of the brochure published for Simon Paccaud ↗’s exhibition at Ferme de la Chapelle ↗. Spray paint and tags made at size 1:1 by Simon Paccaud.
Sculpture by Jean Angelats and Simon Paccaud in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Photograph with a sculpture by Simon Paccaud and Jean Angelats ↗.
Artworks by David Keshavjee and Loucia Carlier in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. Left: print by David Keshavjee ↗. Right: lithography by Loucia Carlier.
Artworks by Sibylle Stoeckli et Namsa Leuba in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. Left: text and sketch by Sibylle Stoeckli ↗. Right: painting by Namsa Leuba ↗.
Artworks by Pietro Castano et Valentin Carron in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. Left: installation by Pietro Castano ↗. Right: poem by Valentin Carron ↗.
Artworks by Thomas Koenig et Charlotte Krieger in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. Left: installation by Thomas Koenig ↗. Right: photograph by Charlotte Krieger ↗.
Artworks by Agathe Zaerpour and Guy Meldem in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. Left: sculpture by Agathe Zaerpour ↗. Right: sculpture by Guy Meldem ↗.
Artworks by Emmanuel Rey and Léo Bachiri Wadimoff in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. Left: screenprints by Emmanuel Rey ↗. Right: blanket by Léo Bachiri Wadimoff.
Artworks by Stéphane Kropf and Maxime Büchi in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. On the left: painting by Stéphane Kropf ↗. On the right: collage by Maxime Büchi ↗.
A work by Guillaume Dénervaud in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Screenshot chosen by Guillaume Dénervaud ↗ and artist list.
Back
↔ 165  ㎜   ↕ 222  ㎜  🗐 16  ◼ ◼ ◼ ◼ ◼   Offset    🇫   ʧ Maximage ↗︎ Signs (unreleased)
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Lemme

   🇫   ʧ Contrast Foundry Peshka ↗︎
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solidaritéS

Photocollage of climat demonstrations creating a world map
Cover of solidaritéS ↗︎ bimonthly. Illustration in collaboration with Janissa Sallin.
Spiral composed of threats on employment on the cover of solidaritéS journal
Cover of solidaritéS ↗︎ bimonthly.
Collage representing climate activists in the swiss parliament
Cover of solidaritéS ↗︎ bimonthly. Illustration in collaboration with Janissa Sallin.
A drawing of shield bearing the word 'stop'
Cover of solidaritéS ↗︎ bimonthly. Illustration in collaboration with Janissa Sallin.
↔ 245  ㎜   ↕ 330  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎
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Lieber Maler, male mir

A painting by Jessica Russ on the poster for Lieber Maler, male mir's exhibition at Ferme de la Chapelle
Poster for Jessica Russ ↗ and David Weishaar’s ↗ exhibition at Ferme de la Chapelle ↗. Image: detail from Jessica Russ’s painting Le Phare aux guignols (reworked for printing).
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼ ◼   Screenprint
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Festival Cinéma Jeune Public

Poster of Festival Cinéma Jeune Public's 2019 edition
Festival Cinéma Jeune Public ↗ poster, on the theme ‘body and movement’. In collaboration with Rachel Gasser and Janissa Sallin (interns).
↔ 895  ㎜   ↕ 1280  ㎜  ◼   Screenprint ʧ Optimo Gravostyle ↗︎ + Gravostyle Swash (unreleased)
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SLF

SLF logo on Aisha Devi's EP SLF (vinyl)
Aïsha Devi ↗︎‘s EPSpirit Liberation Front cover (12″ vinyl), (Houdstooth ↗︎, London, 2019).
Backside of the vinyl edition of Aisha Devi's SLF EP
Backside
↔ 306  ㎜   ↕ 304  ㎜  ◼   Offset    🇬   ʧ Custom monospace/monocase created for the album <em>DNA Feelings</em>
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