2020

Processus

  • Cover of the leaflet made during the workshop I gave at Têtard
    Cover of the brochure made during the workshop I gave at Têtard art school, Lausanne. The students have elaborated a series of short instructions. For each page, they drew three of them by lot and made them. The results were then simply overlaid. The page number was made with one of the instructions.
  • Spread from the brochure made during the “Processus” workshop at Têtard art school, Lausanne
    Pages 2 and 3
  • Spread from the brochure made during the “Processus” workshop at Têtard art school, Lausanne
    Pages 4 and 5
  • Spread from the brochure made during the “Processus” workshop at Têtard art school, Lausanne
    Pages 14 and 15
  • Spread from the brochure made during the “Processus” workshop at Têtard art school, Lausanne
    Pages 22 and 23
  • Spread from the brochure made during the “Processus” workshop at Têtard art school, Lausanne
    Pages 26 and 27
  • Back of the brochure made during the “Processus” workshop at Têtard art school, Lausanne
    Back (page 28)
↔ 148.5  ㎜   ↕ 210  ㎜  🗐 28  ◼ ◼ ◼ ◼   Digital
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Cosmique cosmétique

↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Screenprint ʧ Nofoundry Kaeru Kaeru ↗︎
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Festival Cinéma Jeune Public

↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼   Screenprint ʧ Gravostyle Swash (inédite) et Optimo Gravostyle ↗︎
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Demeurer dans les arbres

↔ 1920  ⒳   ↕ 1080  ⒳  ⏱ 16 ⒮  ʧ NM Type Movement ↗︎
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Lausanne sur mer

↔ 60  ㎜   ↕ 84  ㎜  ◼ ◼ ◼   Offset    🇫   ʧ Altiplano Nirvana ↗︎
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Vivons nos quartiers

↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Offset ʧ Altiplano Nirvana ↗︎
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Danse Noire party

↔ 297  ㎜   ↕ 420  ㎜  ◼   Digital
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Dopamine Crush

🗐 20  ◼ ◼ ◼ ◼ ◼   Offset ʧ Halunke by Elena Scheider ↗︎
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Lausanne sur mer

↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Offset ʧ Altiplano Nirvana ↗︎
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A Man Once Bitten By A Snake

  • Cover of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Cover of Céline Burnand’s ↗ photo book. Half of the diptych A Man Once Bitten By A Snake Fears Every Piece Of Rope / Un homme une fois mordu par un serpent craint chaque bout de corde. Layout and cover lettering.
  • Half-title of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Half-title.
  • Spread of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Spread.
  • Spread of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Spread.
  • Spread of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Spread.
  • Spread of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Spread.
  • Spread of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Spread.
  • Spread of Céline Burnand's photography book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Colophon.
↔ 130  ㎜   ↕ 200  ㎜  🗐 72  ◼ ◼ ◼ ◼   Offset    🇫   🇬   ʧ Grilli Type Alpina ↗︎
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Topic

Topic

  • Topic typeface
    Inversion of complete letters and geometric base elements.
  • Topic typeface
    Typeface designed for contemporary art space Topic, Geneva, and its curatorial takeover by Donatella Bernardi and Angela Marzullo. The letters comprise a geometric base and an organic element.
ʧ Topic
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Festival Cinéma Jeune Public

ʧ Optimo Gravostyle ↗︎ and Gravostyle Swash (unreleased)
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Vanderlove letter

↔ 245  ㎜   ↕ 330  ㎜  ◼ ◼ ◼ ◼   Offset ʧ Milieu Grotesque Maison Neue Mono ↗︎
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Un Homme une fois mordu par un serpent

  • Cover of Céline Burnand's text book "A Man Once Bitten By A Snake Fears Every Piece Of Rope"
    Cover Céline Burnand’s ↗ text book. Half of the diptych A Man Once Bitten By A Snake Fears Every Piece Of Rope / Un homme une fois mordu par un serpent craint chaque bout de corde. Layout and cover lettering.
  • Half-title page of Céline Burnand's text book
    Half-title.
  • Spread of Céline Burnand's text book
    Spread.
  • Spread of Céline Burnand's text book
    Spread.
  • Spread of Céline Burnand's text book
    Spread.
  • Spread of Céline Burnand's text book
    Spread.
  • Spread of Céline Burnand's text book
    Spread.
  • Spread of Céline Burnand's text book
    Spread.
  • Spread of Céline Burnand's text book
    Spread.
↔ 130  ㎜   ↕ 200  ㎜  🗐 80  ◼   Offset    🇫   🇬   ʧ Grilli Type Alpina ↗︎
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solidaritéS

↔ 245  ㎜   ↕ 330  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎
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Spécimens

↔ 150  ㎜   ↕ 210  ㎜  ◼   Offset    🇫   ʧ Optimo Gravostyle ↗︎ and Gravostyle Boeklin (unreleased)
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Dopamine Crush

↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Screenprint ʧ Halunke by Elena Schneider ↗︎
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Spécimens

↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼   Screenprint
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Demeurer dans les arbres

Two drawings by Guy Oberson on the invitation to his exhibition
Invitation for Guy Oberson’s ↗ exhibition at Ferme de la Chapelle ↗. Two drawings by the artist.
Back of the invitation to Guy Oberson's exhibition
Back.
↔ 150  ㎜   ↕ 210  ㎜  ◼ ◼   Offset    🇫   ʧ NM Type Movement ↗︎
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solidaritéS

Fuck Fortress Europe
Cover of solidaritéS ↗︎ bimonthly issue 375.
Collage with a photo of Joe Biden and the American flag
Cover of solidaritéS ↗︎ bimonthly issue 377.
↔ 245  ㎜   ↕ 330  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎
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Dopamine Crush

↔ 1920  ⒳   ↕ 1080  ⒳  ⏱ 16 ⒮  ʧ Halunke de Elena Scheider ↗︎
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Paul Paillet

  • Cover of artist Paul Paillet’s publication
    Artist Paul Paillet’s publication in the Centre d’édition contemporaine, Genève ↗ collection Before Publication.
  • Spread of Paul Paillet’s publication
    Spread. The painted plaster work (about ~A2 in size) was scanned to preserve all the details.
  • Spread of Paul Paillet’s publication
    Spread. The painted plaster work (about ~A2 in size) was scanned to preserve all the details.
  • Spread of Paul Paillet’s publication
    Spread. The painted plaster work (about ~A2 in size) was scanned to preserve all the details.
  • Spread of Paul Paillet’s publication
    Spread. The painted plaster work (about ~A2 in size) was scanned to preserve all the details.
  • Spread of Paul Paillet’s publication
    Captions for the works and colophon.
  • Back of Paul Paillet's publication
    Back.
↔ 172  ㎜   ↕ 235  ㎜  🗐 12  ◼   Offset    🇫  
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Spécimens

2019

partes extra partes

Poster of Abigail Janjic's and Simon Rimaz' exhibition at Ferme de la Chapelle
Poster for Abigail Janjic ↗‘s and Simon Rimaz’ ↗ exhibition at Ferme de la Chapelle ↗. The image was made by putting various elements (scraps of cloth, rubber bands, printed and painted tracing paper…) directly on the exposure unit.
Detail of the screen printed poster for Abigail Janjic and Simon Rimaz’ exhibition at Ferme de la Chapelle
Printed detail
Detail of the screen printed poster for Abigail Janjic and Simon Rimaz’ exhibition at Ferme de la Chapelle
Printed detail
Photo of the insulation of a screenprint frame for the poster for Abigail Janjic and Simon Rimaz’ exhibition at Ferme de la Chapelle
Insulation of a screen printing frame with stuff brought by Abigail Janjic
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Screenprint
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Challenger

Spray paint and tags by Simon Paccaud on the poster for his exhibition at Ferme de la Chapelle
Poster for a group exhibition curated by Simon Paccaud ↗ at Ferme de la Chapelle ↗. Spray paint and tags were made at 1:1 scale by Simon Paccaud.
Printed detail of the poster to Simon Paccaud's exhibition Challenger
Printed detail
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Screenprint ʧ Maximage ↗︎ Signs (unreleased)
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Expanding Bodies

A printed and embroidered blanket by Xénia Laffely
Brochure/mini-catalog for the exhibition by Xénia Laffely ↗ and Nastasia Meyrat ↗ at Ferme de la Chapelle ↗. Image: My Face Is Red Like My Anger, printed and embroidered blanket by Xénia Laffely.
A photo of an installation by Xénia Laffely
Spread. Installation view of Hi Bich (Pour Emma Taeko Zoia) by Xénia Laffely at Last Tango, Geneva.
Installations by artists Nastasia Meyrat and Xénia Laffely
Center spread. Left: Me, myself and I, installation by Nastasia Meyrat at Zabriskie Point, Geneva. Right: Chase the Pattern (Pour Judy Chicago), installation by Xénia Laffely at Last Tango, Geneva.
Pictures of embroidered cloth by Nastasia Meyrat and Sarah Margnetti
Spread. Exhibition views of Embroidered Breath Of A Bordered Garden by Nastasia Meyrat and Sarah Margnetti at One gee in Fog, Geneva.
An artwork by Nastasia Meyrat
Image: Sans titre by Nastasia Meyrat
An artwork by Nastasia Meyrat
Second cover. Image: Dreams Happen When They Spread Themselves, embroidered cloth by Nastasia Meyrat (reworked for printing).
↔ 165  ㎜   ↕ 222  ㎜  🗐 16  ◼ ◼ ◼ ◼ ◼   Offset  ‡  Stitched    🇫   ʧ OHno Type Eckmannpsych ↗︎
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SLF

SLF logo on Aisha Devi's EP SLF (vinyl)
Aïsha Devi ↗︎‘s EPSpirit Liberation Front cover (12″ vinyl), (Houdstooth ↗︎, London, 2019).
Backside of the vinyl edition of Aisha Devi's SLF EP
Backside
↔ 306  ㎜   ↕ 304  ㎜  ◼   Offset    🇬   ʧ Custom monospace/monocase created for the album <em>DNA Feelings</em>
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Morelli–Freud–Holmes

Poster for Donatella Bernardi’s exhibition at Kunst Raum Riehen
Poster for Donatella Bernardi ↗’s exhibition Morelli-Freud-Holmes at Kunst Raum Riehen ↗.
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼ ◼   Offset ʧ Milieu Grotesque Patron ↗︎
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Lieber Maler, male mir

A painting by Jessica Russ on the poster for Lieber Maler, male mir's exhibition at Ferme de la Chapelle
Poster for Jessica Russ ↗ and David Weishaar’s ↗ exhibition at Ferme de la Chapelle ↗. Image: detail from Jessica Russ’s painting Le Phare aux guignols (reworked for printing).
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼ ◼   Screenprint
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Elise Gagnebin-de Bons

   🇫  
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partes extra partes

Cover of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Brochure/mini-catalog published for Abigail Janjic ↗ and Simon Rimaz ↗’s exhibition at Ferme de la Chapelle ↗. Image: scans from the screenprinted poster.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Cover backside and introduction.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Spread. Collage made of elements provided by Abigail Janjic, printed in CMY and others provided by Simon Rimaz, printed in black only.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Spread. Collage made of elements provided by Abigail Janjic, printed in CMY and others provided by Simon Rimaz, printed in black only.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Spread. Collage made of elements provided by Abigail Janjic, printed in CMY and others provided by Simon Rimaz, printed in black only.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Spread. Collage made of elements provided by Abigail Janjic, printed in CMY and others provided by Simon Rimaz, printed in black only.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Spread. Collage made of elements provided by Abigail Janjic, printed in CMY and others provided by Simon Rimaz, printed in black only.
Spread of the brochure to Abigail Janjic and Simon Rimaz’s exhibition at Ferme de la Chapelle
Spread. Collage made of elements provided by Abigail Janjic, printed in CMY and others provided by Simon Rimaz, printed in black only.
↔ 165  ㎜   ↕ 222  ㎜  🗐 16  ◼ ◼ ◼ ◼ ◼ ◼   Offset    🇫  
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Quelque chose tombe

"If we die we're taking you with us" slogan on the album cover for Racine's "Quelque chose tombe" LP
Racine’s LP Quelque chose tombe cover, Danse Noire ↗, 2020. Found images.
Back of the vinyl cover of Racine's LP "Quelque chose tombe"
Back
↔ 306  ㎜   ↕ 304  ㎜  ◼ ◼   Offset    🇬  
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Challenger

Spray and tags on the cover of the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Cover of the brochure published for Simon Paccaud ↗’s exhibition at Ferme de la Chapelle ↗. Spray paint and tags made at size 1:1 by Simon Paccaud.
Sculpture by Jean Angelats and Simon Paccaud in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Photograph with a sculpture by Simon Paccaud and Jean Angelats ↗.
Artworks by David Keshavjee and Loucia Carlier in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. Left: print by David Keshavjee ↗. Right: lithography by Loucia Carlier.
Artworks by Sibylle Stoeckli et Namsa Leuba in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. Left: text and sketch by Sibylle Stoeckli ↗. Right: painting by Namsa Leuba ↗.
Artworks by Pietro Castano et Valentin Carron in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. Left: installation by Pietro Castano ↗. Right: poem by Valentin Carron ↗.
Artworks by Thomas Koenig et Charlotte Krieger in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. Left: installation by Thomas Koenig ↗. Right: photograph by Charlotte Krieger ↗.
Artworks by Agathe Zaerpour and Guy Meldem in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. Left: sculpture by Agathe Zaerpour ↗. Right: sculpture by Guy Meldem ↗.
Artworks by Emmanuel Rey and Léo Bachiri Wadimoff in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. Left: screenprints by Emmanuel Rey ↗. Right: blanket by Léo Bachiri Wadimoff.
Artworks by Stéphane Kropf and Maxime Büchi in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Spread. On the left: painting by Stéphane Kropf ↗. On the right: collage by Maxime Büchi ↗.
A work by Guillaume Dénervaud in the brochure for Simon Paccaud's exhibition at Ferme de la Chapelle
Screenshot chosen by Guillaume Dénervaud ↗ and artist list.
Back
↔ 165  ㎜   ↕ 222  ㎜  🗐 16  ◼ ◼ ◼ ◼ ◼   Offset    🇫   ʧ Maximage ↗︎ Signs (unreleased)
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Festival Cinéma Jeune Public

Poster of Festival Cinéma Jeune Public's 2019 edition
Festival Cinéma Jeune Public ↗ poster, on the theme ‘body and movement’. In collaboration with Rachel Gasser and Janissa Sallin (interns).
↔ 895  ㎜   ↕ 1280  ㎜  ◼   Screenprint ʧ Optimo Gravostyle ↗︎ + Gravostyle Swash (unreleased)
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Lieber Maler, male mir

↔ 1920  ⒳   ↕ 1080  ⒳  ⏱ 16 ⒮ 
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Narcissi

Narcissi’s self-titled EP cover, Danse Noire, 2019
Russian group’s Narcissi Narcissi EP cover, Danse Noire, 2019. Collage of sculptures by artists Pasha Bezor and Pasha Blagoveshchensky from Krasnodar’s collective Plague. In the center, a drawing by Natalia Gontcharova.
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Challenger

↔ 1920  ⒳   ↕ 1080  ⒳  ⏱ 24 ⒮ 
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Federal elections

An electoral poster with the slogan "No one is illegal”
Posters for Ensemble à Gauche Vaud ↗’s campaign for the 2019 federal elections. The slogan is “No one is illegal”.
An electoral poster with the slogan "For a just degrowth in solidarity"
Posters for Ensemble à Gauche Vaud ↗’s campaign for the 2019 federal elections. The slogan is “For a just degrowth in solidarity”.
An electoral poster with the slogan "Let’s work less to live better"
Posters for Ensemble à Gauche Vaud ↗’s campaign for the 2019 federal elections. The slogan is “Let’s work less to live better”.
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼   Offset    🇫   ʧ Storm Type Trivia Gothic ↗︎
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Les Quarts d’Heure

A ribbon made from photographs on the poster for a dance festival
Poster for Les Quarts d’Heure, a presentation of short works by emerging choreographers organized by Théâtre Sévelin 36 ↗, Lausanne. Illustration in collaboration with Rachel Gasser and Aurore Pery (interns).
↔ 895  ㎜   ↕ 1280  ㎜  ◼ ◼ ◼ ◼   Offset ʧ Milieu Grotesque Patron ↗︎
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Les particules

Poster of the movie “Les Particules”
Poster of Blaise Harrison’s movie Les Particules ↗. Image: painting by Juliette Villard ↗ and randomly generated ‘particles’.
Detail of “Les Particules” movie poster
Typographic and ‘particle’ layer.
↔ 100  ㎝   ↕ 150  ㎝  ◼ ◼ ◼ ◼   Offset ʧ Milieu Grotesque Maison Neue Mono ↗︎
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Festival Cinéma Jeune Public

Festival Cinéma Jeune Public 2019 programme cover
Festival Cinéma Jeune Public ↗ programme. In collaboration with Janissa Sallin (intern).
Festival Cinéma Jeune Public 2019 programme spread
Spread.
Festival Cinéma Jeune Public 2019 programme spread
Spread.
Festival Cinéma Jeune Public 2019 programme spread
Spread
Festival Cinéma Jeune Public 2019 programme, back
Back.
↔ 105  ㎜   ↕ 150  ㎜  🗐 32  ◼ ◼   Offset  ‡  Stitched    🇫   ʧ Optimo Gravostyle ↗︎ + Gravostyle Swash (unreleased)
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Harry Burke

Cover of Harry Burke's publication published by the Centre d'édition contemporaine Geneva
Harry Burke’s publication in Centre d’édition contemporaine, Geneva ↗‘s series Before Publication.
Spread of Harry Burke's publication edited by Centre d'édition contemporaine Geneva
First page
Spread of Harry Burke's publication edited by Centre d'édition contemporaine Geneva
Spread.
Spread of Harry Burke's publication edited by Centre d'édition contemporaine Geneva
Spread.
Spread of Harry Burke's publication edited by Centre d'édition contemporaine Geneva
Spread. Works by Rindon Johnson.
Spread of Harry Burke's publication edited by Centre d'édition contemporaine Geneva
Last page and colophon. Work by Rindon Johnson.
Back of Harry Burke's Before Publication 1 published by Centre d'édition contemporaine Geneva
Back
↔ 172  ㎜   ↕ 235  ㎜  🗐 24  ◼   Offset  ‡  Stitched    🇬  
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SLF Versions

SLF logon on the sleeve of Aisha Devi's EP “SLF Versions”
Aïsha Devi ↗︎’s EPS.L.F. Versions cover (Houdstooth ↗︎, London).
Back of Aisha Devi’s EP “SLF Versions” vinyl
Backside
↔ 306  ㎜   ↕ 304  ㎜  ◼   Offset    🇬   ʧ Custom monospace/monocase created for the <em>DNA Feelings</em> album
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solidaritéS

Photocollage of climat demonstrations creating a world map
Cover of solidaritéS ↗︎ bimonthly. Illustration in collaboration with Janissa Sallin.
Spiral composed of threats on employment on the cover of solidaritéS journal
Cover of solidaritéS ↗︎ bimonthly.
Collage representing climate activists in the swiss parliament
Cover of solidaritéS ↗︎ bimonthly. Illustration in collaboration with Janissa Sallin.
A drawing of shield bearing the word 'stop'
Cover of solidaritéS ↗︎ bimonthly. Illustration in collaboration with Janissa Sallin.
↔ 245  ㎜   ↕ 330  ㎜  🗐 16  ◼ ◼ ◼ ◼   Offset    🇫   ʧ Production Type Gemeli ↗︎
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Les Quarts d’Heure

↔ 1080  ⒳   ↕ 1080  ⒳  ⏱ 4 ⒮  ʧ Milieu Grotesque Patron ↗︎
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Infolding

An artwork by Maya Rochat on Gil's EP cover
Digital cover for Gil’s EP Infolding, Danse Noire, 2019. Image: Maya Rochat, Meta Iceberg, from the series A Rock Is A River, 2017 (detail)
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Lieber Maler, male mir

A Printing by David Weishaar on the invitation to the Lieber Maler, male mir exhibition at the Ferme de la Chapelle
Invitation for Jessica Russ’s ↗ and David Weishaar’s ↗ exhibition at Ferme de la Chapelle ↗. Image: detail from David Weishaar’s painting Pink Opening (reworked for printing).
Back.
↔ 150  ㎜   ↕ 210  ㎜  ◼ ◼ ◼ ◼ ◼   Offset    🇫  
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Festival Cinéma Jeune Public

↔ 1729  ⒳   ↕ 1080  ⒳  ⏱ 18 ⒮  ʧ Optimo Gravostyle ↗︎ + Gravostyle Swash (inédite)
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Lemme

   🇫   ʧ Contrast Foundry Peshka ↗︎
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